Not surprisingly, the movies all address the Iraqi situation in terms that one would hardly call positive
“(It’s) partly because public opinion has really shifted on the war, so there might be a marketing aspect to that,” says Ron Eyerman, a professor of sociology at Yale, about the sudden flood of Iraq-themed or related films. “But of course it takes a long time to make a film, so you’re not going to watch public opinion polls and then start to make a film. The timing of that just doesn’t work.” Films that have already played include Paul Haggis’ “In The Valley of Elah,” about a retired veteran (Tommy Lee Jones) trying to find out why his son was brutally murdered after shipping back from Iraq, and “The Kingdom,” a look at homegrown terrorism in Saudi Arabia dressed in the clothes of an action thriller. More recently, Reese Witherspoon and Meryl Streep top-lined “Rendition,” about a woman whose Arab-American husband is seized and tortured by the U.S. government. The documentary “No End in Sight,” a critical analysis of the Bush administration’s handling of Iraq, surfaced on DVD last month after a limited theatrical run. Still to come is director and star Robert Redford’s “Lions for Lambs” (Nov. 9), which tells three stories about war, patriotism, and the media build-up to the invasion; Brian de Palma’s reportedly brutal “Redacted” (Nov. 16), which uses video-cam footage for an ultra-realistic take on the true story of U.S. soldiers who raped...
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